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Andrea
Marr - Sass & Brass
Style:
Soul
Andrea Marr, considered the queen of Australian Blues for her high energy, joyous performances, and clever tongue-in-cheek lyrical content, is proud to announce the release of her first official soul album – the EP “Sass & Brass.” The sound is a combination of soul and blues, filled with the genuine passion of someone who has truly loved and lived this music. It’s a powerfully energetic, brassy, big sound, reminiscent of Sharon Jones & the Dap Kings, Ike & Tina Turner, and the JBs. The album is the result of a second collaboration with co-producer Cam Scott, also Andrea’s keyboard player and arranger for several years. It’s a follow up to her last CD “Little Sister Got Soul,” which peaked at #18 on the Living Blues Radio Charts, and garnered many recognitions and rave reviews, including 2009 Australian Female Blues Artist of the Year. Although short and sweet, Andrea’s new EP serves up a heaping helping of steamy, sultry soul to shake your booty to.
Catalog #4547 (Release Date: November 20, 2012) |
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Bottoms Up Blues
Gang - Handle It
Style:
Blues/Jazz/Folk-Roots
The
Bottoms Up Blues Gang from St. Louis celebrate a
decade of playing together with their third
release “Handle It.” The album features a perfect
patchwork of original music in the band’s eclectic
blend of St. Louis Blues and New Orleans Jazz,
with instrumentation ranging from guitar and
vocals up to a full band with organ and New
Orleans horn section. The band, based around a
nucleus of guitarist Jeremy Segel-Moss and
vocalist Kari Liston, have surrounded themselves
with a phenomenal gang of legendary local
musicians to support a wide range of new sounds
and influences. The album also includes an
outstanding version of “Drown In My Own Tears”
recorded with St. Louis’ legendary blues guitarist
Bennie Smith, recorded before his death in 2006.
Catalog #4545
(Release September 20, 2011) |
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Howard Glazer and
the EL 34s - Wired For Sound
Style: Blues
"Wired For Sound" is the
latest release from Detroit Blues performer Howard
Glazer, and his band the EL 34s. This new release
retains the same searing electric blues style that
Glazer is known for, mixing traditional Blues
elements with more modern elements, including a
full horn section at times. Glazer's guitar is as
hot as an EL 34 vacuum tube throughout, blazing
and scorching on both slow and upbeat blues.
Special guests include Delta Blues legend David
"Honeyboy" Edwards and famed
poet/musician/activist John Sinclair. There is no
doubt that with it's intense guitar, tight rhythm
section, and Detroit styled power, "Wired For
Sound" is sure to leave you feeling fully charged!
Catalog #4543
(Released February 15, 2011) |
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Stevie J - The
Diversity Project
Style:
Blues/Soul
“The Diversity Project” by
Stevie J is two separate albums recorded during
the same period of time. The first disc is a Blues
CD, “Standin’ At The Station,” inspired by
Stevie’s first appearance on the Legendary Rhythm
and Blues Cruise, where jamming with scores of
other respected musicians inspired him to get some
of his own blues music recorded. The second disc,
“Soul Sessions,” represents Stevie’s work in
Mississippi as a southern soul artist, and
includes exceptional covers of Mayer’s “Gravity,”
and Clinton’s “Cosmic Slop.” Stevie’s love for
blues, soul, hip-hop, gospel and more are
abundantly clear in every song from these albums,
and together they make for a soulful and uplifting
blues experience.
Catalog #4544
(Released February 15, 2011) |
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Blues
Dragon - Blues Dragon
Style:
Blues
Blues Dragon have
been a constant force in the Blues scene of South
Florida for over a decade now, and are making
their way across the United States with their
self-titled recording debut. Blues Dragon is an
electric Blues ensemble, who strive to deliver
fresh and unique interpretations on traditional
American Blues and Folk songs, primarily pre-WWII,
but also including a dose of Urban and Chicago
Blues traditions. They pour their love and
fondness for this music into every song, as they
tell stories on the history of our land, our
musicians, and the lives of everyday people. The
end result is an amalgamation of modern electric
and traditional styles that delivers a distinctly
“down home” feel while simultaneously rocking the
house.
Catalog
#4540
(Released February 15, 2011) |
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Sweet Claudette -
That Man's Got To Go
Style: Blues
“That Man’s Got To Go” is the
latest album from Sweet Claudette, Detroit’s
matriarch of the Blues. She’s a sultry, deep
voiced singer and songwriter with Blues songs that
run the gamut of funk, soul, country, and jazz
influences, in addition to classic uptempo and
slow Blues. Sweet Claudette takes you out to the
party where she is queen and holds court. She
fronts a 6-piece band with a fantastic horn
section that intertwines throughout her music.
Sweet Claudette is the epitome of a Detroit finger
snapping Blues party and the master of the low
down. The listener can definitely expect a good
time!
Catalog #4541
(Released February 15, 2011) |
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Kevin
Selfe and the Tornadoes - Playing The Game
Style:
Blues
Portland based blues
guitarist Kevin Selfe has dedicated his life to
the blues for the past 15 years, and his love and
passion for the music shows in everything he
plays. Starting out with the Fat Daddy Band in
Roanoke, VA, Kevin recorded 3 albums and toured
from coast to coast, even competing in the
International Blues Challenge in Memphis before
leaving the band to pursue a solo career. With his
own band, The Tornadoes, we bring you Kevin’s
latest release “Playing The Game.” Since
relocating to Portland a few years ago, Kevin has
been nominated for 15 Muddy Awards by the Cascade
Blues Association, and has had the opportunity to
tour across the country, bringing his energetic
mix of traditional and contemporary blues to
scores of loyal fans, and backing legends such as
Eddy Clearwater and Carey Bell.
Catalog #4538
(Released February 15, 2011) |
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Front Street
Blues Band - Blues Promised Land
Style: Blues
The Front Street Blues Band is an
original, jumpin’ and jivin’, boogie-woogie blues
band, who’ve worked their way to the top of the
Detroit blues scene in only two short years. Their
music is steeped deeply in Detroit and urban blues
traditions, but also takes influences from other
styles prevalent in Detroit – soul, jazz and rock.
The end result is a hard driving blues style that’s
tight, energetic, swinging and funky.
Catalog #4539
(Released February 15, 2011) |
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Terry
Davidson and the Gears - Damnation Blues
Style:
Blues/Rock
On his
sixth and latest release with the Gears, Damnation
Blues, Terry Davidson delivers an electrifying
performance, exemplary of the band’s scorching
live shows that have regularly won over crowds
from coast to coast. The album is filled with
layers of lead guitar and alluring slide guitar by
Davidson, which demonstrates his complete
familiarity with the fret board. A Columbus native
and forty year veteran of the heartland’s Blues
and Rock & Roll music scenes, Terry’s love for
Rock infused Blues is abundantly apparent. This
includes everything from raw, blistering Texas
Blues to low down, traditional Chicago Blues,
leaving you with a ferocious Blues blend, steeped
in tradition. A rocking and rousing set, perfect
for motor-heads and gear-jammers.
Catalog
#4534
(Released October 19, 2010) |
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Terry
Davidson and the Gears - Leave Here Runnin'
Style:
Blues/Rock
Leave Here
Runnin’ showcases Columbus native Terry Davidson’s
high-octane Blues/Rock style, with trademark clean
fretwork, gritty slide, and a low down and dirty
backing band. Cruise with the Gears down the blues
highway from Columbus to Chicago, and from Memphis
to Austin, as they demonstrate the wide range of
styles and influences picked up along their
journey, even including elements of Jazz and Surf
music, and a Stones inspired boogie. Features
twelve powerhouse originals and two covers filled
with clever word play and inspired playing by all.
Sure to leave you wanting more.
Catalog
#4533
(Released October 19, 2010) |
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Andrea
Marr - Little Sister Got Soul
Style:
Blues
“Little
Sister Got Soul’” is Andrea Marr’s second
commercial release, and showcases her trademark
sultry, sassy and soulful vocals that have earned
her the nickname “The Pint Sized Powerhouse of the
Blues,” and made her one of the most popular acts
in the Australian Blues scene. The album also
showcases Andrea’s songwriting, arranging, and
producing abilities for the first time. Seven of
the ten songs on the album were penned by Andrea
and show her deep love of soul music as well as
her lifelong love of blues greats such as Etta
James and Freddie King. Andrea comments, “This big
soul sound, reminiscent of that STAX sound is what
I always wanted to create!” In 2009 the album was
nominated for three Australian Blues Music Awards
and won the award for 2009 Australian Female
Vocalist of the Year.
Catalog
#4524
(Released August 17, 2010) |
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Latvian
Blues Band - Unreal
Style:
Blues
“Unreal”
is the first studio album by the Latvian Blues
Band, who have been performing together since
1997, largely in Latvia, but also in Lithuania and
throughout Europe, with occasional visits to the
United States and Canada, including most recently
when they were a contestant in the International
Blues Challenge in Memphis, TN in January of 2010.
This album showcases the band’s songwriting
talents, with ten of the fourteen tracks being
written by the band. Duke Robillard makes guest
appearances playing guitar on two of the album’s
songs and is also the album’s producer.
Catalog
#4520
(Released August 17, 2010) |
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Cee Cee
James - Seriously Raw
Style:
Blues (Live)
With her
sophomore release, “Seriously Raw: Live At
Sunbanks,” we hear that Cee Cee James’ voice has
picked up greater experience and deeper feeling,
as well as a closer understanding and comfort with
the blues form. She fires things up on 10 blues
and roots classics, as well as four scorching
originals – proving she’s a force to be reckoned
with in today’s contemporary blues scene. Cee Cee
does not disappoint, following up the enormous
buzz created by her first release with an even
stronger and more captivating performance.
Comfortable and in her element, she gives us
everything she’s got as she shows respect and
admiration for those who have inspired her along
her journey with the blues.
Catalog
#4532
(Releases September 21, 2010) |
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Hawkeye
Herman - It's All Blues To Me
Style:
Acoustic Blues
“It’s All
Blues To Me” by Hawkeye Herman is a satisfying
live set of acoustic music in the traditional
blues, folk, jazz and even rock styles. Songs
include a chilling version of the classic “Sixteen
Tons,” the traditional “St. James Infirmary,” and
even an acoustic arrangement of Van Morrison’s
“Moondance.” Guests on the album include Washboard
Chaz on washboard and percussion.
Catalog
#4522
(Released August 17, 2010) |
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Hawkeye
Herman - Blues Alive!
Style:
Acoustic Blues
“Blues
Alive!” is the latest release from Iowa native
Michael “Hawkeye” Herman, a fixture on the blues
festival and blues education circuits, who plays
traditional acoustic blues guitar, and is a
respected blues storyteller with over 40 years of
performing experience. The album features three
songs penned by Hawkeye, but is predominantly
covers of traditional blues songs like the
Mississippi Sheiks “Sitting On Top of the World,”
and Robert Johnson’s “Come On In My Kitchen,” with
the occasional contemporary song interspersed,
such as Mose Allison’s tongue in cheek “Your Mind
Is On Vacation.” Rediscover many great tunes that
are the bedrock of blues.
Catalog
#4521
(Released August 17, 2010) |
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Hawkeye
Herman - Everyday Living
Featuring Charles Brown and Haskell Sadler
Style:
Acoustic Blues
“Everyday
Living” is a landmark album by traditionalist
blues singer and storyteller Michael “Hawkeye”
Herman that features guest appearances by mellow
blues pianist and vocalist Charles Brown and
guitarist Haskell “Cool Papa” Sadler. Songs
include arrangements of delta blues guitarist
Tommy Johnson’s “Big Road Blues,” Charles Brown’s
“Drifting Blues” and a couple of originals by
Hawkeye, including the folk-influenced train-blues
song “Rocket To Chicago.” Find out why Hawkeye is
considered one of the keepers of the flame in the
traditional blues and acoustic guitar communities.
Catalog
#4523
(Released August 17, 2010) |
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Ron Hacker -
Burnin'
Style: Blues
Ron Hacker, slide guitar
master, and staple of the San Francisco and bay
area blues scene brings us his strongest album,
Burnin', featuring a mixture of lesser known blues
standards, and heartfelt and scorching originals.
From start to finish, the album burns through
blues conventions with smokin' guitar work and a
stellar backing band. Waiting until the age of 27
to take up the guitar, Ron gained his influences
from artists like Fred McDowell, Lightnin’
Hopkins, Elmore James, and Yank Rachell, along
with usual suspect Robert Johnson and his most
modern influence, R.L. Burnside. Burnin’ features
many of Ron’s favorite songs, including many songs
he’s been playing since the beginning of his
career, and originals that take you through Ron
Hacker’s life story. Ron’s approach to blues
is similar to that of artists from the blues
classic era, playing old-time blues, rough and
raw.
Catalog
#4518
(Released June 15, 2010) |
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Chaz DePaolo -
Bluestopia
Style: Blues
Chaz DePaolo has come into
his own and really shines on his
latest recording, “Bluestopia,” his fourth
release, featuring 6 original songs and 3
scorching covers. Chaz DePaolo has persevered
through the disappointments and rejections of life
which is the blues, and brings his experience to
you on “Bluestopia.” Guest artists David Maxwell
on piano and Jason Ricci and harp help to bring it
home for a blistering set of blues based not only
in New York blues traditions, but also with
influences in Chicago and the Mississippi Delta.
Catalog
#4517
(Released May 18, 2010) |
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Mr. Keith Little
- Take It Off And Get Loose With It
Style:
Blues/Soul
The latest album by
soul-blues titan Keith Little showcases some of
his best work to date in a range of styles,
including Blues, Soul, R&B and Funk. The
album, entitled Take It Off And Get Loose With It,
features 12 original songs based on Keith’s life
experiences from the past, present, and a likely
future with themes that include comedy, fantasy,
and Keith’s own take on personal situations.
Catalog #4515
(Released February 16, 2010) |
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Cee Cee James -
Low Down Where The Snakes Crawl
Style: Blues
Cee Cee James has a voice
made for the blues – deep, raspy and full of
soulful emotion. Often compared to Janis Joplin,
her voice and feeling for the blues have brought
her scores of fans through her intense live
performances, and is now captured on CD for the
first time. Featuring 11 original tracks, Low Down
Where The Snakes Crawl brings together a tight,
well-rehearsed band with a strong, solid voice
that is sure to blow you away.
Catalog #4516
(Released February 16, 2010) |
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Michael Packer -
Free Beer
Style: Blues
Michael Packer has been a
staple of the New York City Blues and Folk music
scene since he was 15 years old and playing at the
Bitter End in Greenwich Village. This well-known
and respected member of the New England Blues
community brings you his latest recording “Free
Beer,” a strong blues-rock album including an
eclectic mix of originals and classics, all firmly
rooted in NYC blues traditions with a touch of
Chicago Blues flare.
Catalog #4513
(Released February 16, 2010) |
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Solomon King -
Under The Sun
Style: Blues
Solomon King’s musical style
travels across time and space from the mellow,
acoustic world of Modern Classic Blues to the
electrifying universe of Urban Blues. The West
Coast blues born in the 1940s erupted in Southern
Cali known for jazzy guitar solos and honey-toned
vocals then crisscrossed America returning in the
60s with Blue-eyed Blues Rock, White Soul and
Outlaw Country Blues. Now enter Solomon King,
heating up the Blues flame with his soul stirring
hometown Motown rhythms and tell-it-like-it-is
lyrics. Welcome to the New American Blues.
Catalog #4514
(Released February 16, 2010) |
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Big Walker -
Still Dream Walking
Style: Blues
Walker writes and sings his own
music and plays harmonica and saxophone in
accompaniment. He is extremely versatile, mixing
American folk music, blues, country, soul, rock,
and funk. Walker played in Albert Collins band as
well as Luther Tucker and Michael Bloomfield's
bands. Touring with Luther Tucker's band for 10
years he opened for artists that included
Lowell Fulson, Percy Mayfield and Big Mama
Thornton. He's also recorded on six of Eric Bibb's
CDs.
Catalog
#4512
(Released October 5, 2009) |
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Doug Adamz &
Dan Hayes - Blues Duo
Style: Acoustic
Blues
"...they present a seamless
rapport...a highly enjoyable album of gentle
acoustic blues from a talented pair of
guitarists." -Graham
Clarke
(Blues Bytes)
"pure and honest music" -Eelco
Schilder (FolkWorld)
"...years of playing together have allowed the duo
to craft a totally integrated sound...recommended
for fans of the acoustic blues format."
-Mark
Thompson (Blues Blast)
Catalog #4503 (Released April 1, 2008) |
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Rusty
Evans
- Burning Man
Style:
Americana/Alt. Country/Folk
Rusty Evans, considered by many to be the
reincarnation of Johnny Cash, offers up 13
originals on his latest release “Burning Man.”
This traditionally based album covers the broad
spectrum of roots music from Folk to Alternative
Country to Rockabilly. Rusty is known foremost for
his long tenure in New York’s Greenwich Village
and his induction into the Rockabilly Hall of
Fame. However, he was also once a writer in the
Brill Building, has appeared on Dick Clark’s
American Bandstand, and has shared the stage with
everyone from Buddy Holly to Bob Dylan. His
experiences have presented him with countless
influences, and he displays many of them within.
Comprised of largely topical songs, “Burning Man”
speaks of Rusty’s experiences in rambling from
Greenwich Village in New York to San Francisco and
every stop along the way; including the people he
met, the places he went and the lessons and
stories he acquired along the way.
Catalog #4101
(Released Jan 09, 2007)
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"Rusty
Evans
is roots americana, the real deal" -Maria
Muldaur
"Excellent and highly recommended!" -Marc
Bristol (Blue Suede News)
"...warm and personable countrybilly." -Rockabilly
Magazine
"...he transcends mere mimicry and captures the true
essense of [Johnny] Cash's craft." -Ken
Burke
(Country Standard Time)
"...the uncrowned heir to Johnny Cash's
mantle." -Maverick
"...it is a really fine album." -Sing
Out!
"This mixture of country, rockabilly, folk and
rock...is burning with imagination." -Dave
Howell
(Rambles.net)
"Rusty Evans' songwriting is eclectic,
sensitive, unique and engaging. A great story
teller, in the classic tradition of Hank Williams
and Johnny Cash." -Gary
Bradshaw
(Country Music Promoter)
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Marc
Benno
- I Got It Bad
Style:
Blues
From his
work with Leon Russell on the Asylum Choir albums
to his appearance on the Doors LA Woman, to his
work as a second guitarist for Lightnin’ Hopkins,
Marc Benno has been an important part of the music
scene for over 40 years. This veteran songwriter
and musician returns with an album of original
blues tunes featuring the West Side Horns from San
Antonio and including Jimmie Vaughan's drummer
George Rains and Sir Douglas Quintet bassist Jack
Barber. A strong and powerful return to the blues!
Catalog
#4510
(Released Jun 16, 2009) |
Out
of Print
Available
as digital download and streaming music only |
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Marc
Benno
- Crawlin
Style:
Blues/Rock
The
original recordings of the infamous Texas
blues-rock band featuring Stevie Ray Vaughan on
lead guitar (this
is
the first recorded appearance by Stevie),
Doyle
Bramhall on drums, Tommy McClure on bass guitar
and Billy Etheridge on keyboards, performing
classics written by Marc Benno and the band.
Concentrating on Benno’s songwriting talents, the
band took on a sound of their own and became
underground legends in the Austin music scene of
the 70’s. The album, which also features Stevie’s
first instrumental, was recorded at Sunset Sound
in Hollywood right before the Nightcrawlers went
off on tour with J. Geils and Humble Pie. They
returned from tour to find their label wasn’t
looking for another blues based project, and the
album has sat unreleased until now!
Catalog
#4511
(Released Jun 16, 2009) |
Out
of Print
Available
as
digital download and streaming music only
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Steve
Rowe
- Five
Style:
Blues
Master blues guitarist Steve Rowe has gained
his solid reputation and is acknowledged by the
press and fans as a Guitar Hero. His latest
release, FIVE, delivers the blues with rare
intensity, buckets full of emotion, and a
six-string style that draws flattering comparisons
with the British Guitar Gods of the '60s.
From early Blue Note jazz, FIVE detours to New
Orleans' Mardi Gras, back in time for some 30s
jump blues, and ending with a side trip to Memphis
for a nice Stax groove. Steve and the band
remain true to the powerful sound of the blues
that leaves plenty of room to let loose.
Catalog
#4505
(Released Feb 17, 2009) |
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Bill
Abel
- One-Man Band
Style:
Blues
In his latest release “One-Man Band,” Bill
brings you into the world of the Delta blues as a
solo act, playing as many instruments as possible
in a “live” setting. He accomplishes this by
playing both lead and rhythm on a multitude of
guitar setups, switching between electric guitar,
dobro, and his own homemade cigar-box guitars
while playing hi-hat and snare with one foot and
bass drum with another, all the while accompanying
himself vocally with his signature coarse growl.
The end result is a raw, undiluted adaptation of
largely electric blues rooted deep in the
Mississippi delta tradition.
Catalog
#4504
(Released Jul 22, 2008) |
No
Longer Available Here
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Steve
Rowe
- Live a Montreal
Style:
Blues
When the time came to begin work on Steve
Rowe's fourth album, it seemed only natural to
create the new effort as a live album. For the
past several years Steve has been winning over
massive crowds in the Canadian blues festival
circuit, and has garnered a reputation as both a
regional guitar hero and a guitarist's guitarist.
On "Live a Montreal," Steve shows us exactly what
he's made of and why he's held in such high
regard.
Catalog
#4509
(Released 2006) |
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Steve
Rowe
- Front Rowe Center
Style:
Blues
Front Rowe Center is an invitation to
experience - up close and personal - the evolving
blues of guitarist Steve Rowe. The rich tones of
his guitar stimulate your senses like vintage
whiskey, mellowed with age, warm and welcoming in
one breath, sultry and demanding in the next. Aged
to perfection, steeped with experience, Front Rowe
Center offers the listener a strong, powerful set
of blues the way it was meant to be played - with
all the passion and feeling that can be mustered.
Catalog
#4508
(Released June 2005) |
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Steve
Rowe
- No Refund No Return
Style:
Blues
Displaying a vast amount of growth over the
span of two years, Steve Rowe returns with his
sophomore album, "No Refund No Return," an album
comprised entirely of original material. On this
album, Steve and Cohort Alex McElcheran focus on
bringing new life to traditional blues styles and
song forms, creating a unique and high-energy
amalgamation of old and new.
Catalog
#4507
(Released 2002) |
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Steve
Rowe
- Driving the Blues Away
Style:
Blues
For his debut album "Driving the Blues Away,"
Steve Rowe takes us on a road trip around the
United States, paying homage to his favorite
regional blues styles, including the Texas
Shuffle, straight-forward Chicago Style blues, and
jazz influenced swing blues representative
of Kansas City and St. Louis styles. A
diverse and exciting journey through the musical
landscape of the blues.
Catalog
#4506
(Released 2000)
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Rusty
Evans
- Burning Man
Style:
Americana/Alt. Country/Folk
Rusty Evans, considered by many to be the
reincarnation of Johnny Cash, offers up 13
originals on his latest release “Burning Man.”
This traditionally based album covers the broad
spectrum of roots music from Folk to Alternative
Country to Rockabilly. Rusty is known foremost for
his long tenure in New York’s Greenwich Village
and his induction into the Rockabilly Hall of
Fame. However, he was also once a writer in the
Brill Building, has appeared on Dick Clark’s
American Bandstand, and has shared the stage with
everyone from Buddy Holly to Bob Dylan. His
experiences have presented him with countless
influences, and he displays many of them within.
Comprised of largely topical songs, “Burning Man”
speaks of Rusty’s experiences in rambling from
Greenwich Village in New York to San Francisco and
every stop along the way; including the people he
met, the places he went and the lessons and
stories he acquired along the way.
Catalog #4101
(Released Jan 09, 2007)
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Ross
Hubbell
Trio - Self Titled
Style:
Acoustic/Swing (Gypsy) Jazz
Acoustic
Swing Jazz in the style of Django Reinhardt and
others in the Gypsy Jazz tradition.
”..while sounding hauntingly like Django, Ross
Hubbell has developed his own unique sound,
repertoire, and style in the world of Gypsy Jazz.”
–All Frets Magazine
Catalog #4201
(Released Aug/05)
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Dan
Hayes
& Juke Joint - California
Style:
Traditional
Blues
Traditional, Chicago-style
blues transplanted to the California bay area.
“…a chilled-out, Charles Brown-like air…” -E.H.
(Living Blues – July/August ’06)
“Nice and tasty guitar work and fine
understated harmonica fills” -Dave
Drury (Blues Matters – Issue #33, Aug/Sept ’06)
“..typifies what great blues is all about.” –Herb
Barbee (Roots Music Report)
Catalog #4501 (Released 05/02/06)
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